DARK SIDE OF THE RAINBOW The Ultimate Pink Floyd Synchronicities

Overview

Despite all the synchronicities uncovered in the last several years, "Dark Side of the Rainbow" is, in my opinion, still the reigning queen. This opinion is shared by many others of my sub-culture as well. Almost all the song transitions match up with scene transitions, and most of the lyrics of Dark Side of the Moon can be seen to resonate with simultaneous things happening in The Wizard of Oz movie as well in one way or another. Although you have similar bursts of synchronistic energy in other synchs, none appear this sustained or consistent; "Dark Side of the Rainbow" seems unique in this way.

Because of my rather esoteric interpretation of "Dark Side of the Rainbow" which includes, among other things, a different cueing point for the Oz half of the synchronicity and omission of the popular looping method for viewing (see below), I've  decided to publish my own list of internal "Dark Side of the Rainbow" matches, arranged according to Dark Side of the Moon songs and with introductory, italicized lyrics (synched lyrics being underlined). While Shawn Hare has perhaps the definite list of such matches, a collective effort, I think my own list is a good complement, giving the viewpoint of a single enthusiastic and studious fan. 


What's this unique set up then?

My set up for "Dark Side of the Rainbow," which I would strongly suggest be set as some kind of standard for the Kansas part of the synchronicity at least, has three basic ingredients:

1) Use the popular 3rd lion roar of MGM logo Leo the Lion introducing The Wizard of Oz to start your synchronicity. You can usually set it up fairly well by pausing your Dark Side of the Moon CD at track 1, starting The Wizard of Oz video, and unpausing Dark Side of the Moon right at the end of the 3rd lion roar. To check this, make sure that:

Dissolve to Director Mervyn LeRoy screen correlates with transition between "Speak to Me" and "Breathe."
Gulch first appears, on her bike, at beginning of the bells in "Time."
Dissolve to the interior of Dorothy’s farmhouse after Gulch's arrival begins with 1st chord of "Time."
All these transitions should match up exactly and precisely. However, the starting point in The Wizard of Oz that gives these line-ups may vary according to the pause release speed of individual CD players. Also, according to several sources (although I haven’t been able to check it myself), some of the older Dark Side of the Moon CDs that have an outlined prism instead of a solid one contain a couple extra seconds at the beginning of track 1. As long as you have the three line-ups above, however, your synchronicity should be right, at least through the Kansas part of the movie (see below).

(2) Omit the popular looping method that involves setting the Dark Side of the Moon CD on repeat and letting it run an additional 1 ½ times through the rest of the movie. In my opinion, "Dark Side of the Rainbow" properly ends with the Tinman’s missing heart symbolically being filled by the ending heartbeat of Dark Side of the Moon, at the end of the first run through that is. Any match ups that come after this -- and they are sparser in the 2nd and 3rd run throughs to be sure -- appear to be anticlimactic in comparison.  If you desire additional synchronicities beyond the 43 minutes of "Dark Side of the Rainbow," try the others ( 1 2 ) recommended on this site, all of which are excellent in their own ways. 

(3) If possible, try the The Wizard of Oz movie version in pre 1989 videotapes, instead of ones released in 1989 or afterwards. The latter group includes the 50th Anniversary, the remastered 1996 THX versions, and TWoO DVD, all apparently reflecting a faithful one to one correspondence with the original 1939 movie.  In comparison, the pre 1989 VHS tapes contain several tiny omissions in relationship to the 1939 film, including 1½ and 3 second cuts at the exact beginning and end of the Munchkinland scenes respectively. Odd as  it may sound, these cuts appear to make "Dark Side of the Rainbow" run quite a bit more smoothly through the Oz part of the synchronicity in my own opinion, almost as if they correct refractions in DSotR that begin at Dorothy’s entrance into Oz/Munchkinland. This Kansas-Oz transition in the movie corresponds exactly to the end of side 1 on the original Dark Side of the Moon album, at the end of the song "The Great Gig in the Sky."

If you have doubts about your version, here is a chart to help you.
 
 
Tape Contains: You have: Small cuts?
Black & White Kansas Pre 1989 recorded version Yes
Sepia toned Kansas 1989 recorded version or newer No

Here is also a link to information concerning all video releases of The Wizard of Oz , beginning in 1983.

My rather strict interpretation of "Dark Side of the Rainbow" is a type of reaction against the more open ended interpretation espoused in Mike Johnston's "Dark Side of the Rainbow" page from his Synchronicity Arkive. While certainly respecting the need for experimentation and variation, I also feel this approach ultimately devalues the synchronicity over the long haul, especially in comparison to those with more clear set ups such as "Jovian Echoes." 


What if I can't find this variation tape (or don't want to bother with it)?

The pre 1989 The Wizard of Oz videotapes are actually getting quite hard to find, and the "Dark Side of the Rainbow" craze of 1997 plays no small part in these tapes' disappearance and/or premature wear.  The good news is that their counterparts, the 50th Anniversary/THX versions and newer, are essentially the same as the pre 1989s through the Kansas half of the synchronicity, and they also obviously do a fair job through the Oz half as well (otherwise DSotR would have received a lot less fanfare!). But, in my opinion, it spoils the fun quite a bit if you don't run the synchronicity with these "refraction corrections" found at the beginning and end of the Munchkinland scenes in the pre 1989s.  My judgment about this has been echoed by others who've looked at both versions of DSotR. 

Luckily, there is a way to approximate this effect when using the newer The Wizard of Oz tapes to watch "Dark Side of the Rainbow."  Simply mimic these cuts yourself by pausing Dark Side of the Moon at the end of "Great Gig in the Sky" for about 1½  seconds, and then again at the end of "Us & Them" for about 3 seconds (the latter corresponds to the switch between Munchkinland and the Scarecrow’s Cornfield). In theory, these pauses would make the 50th/THX version and pre 1989 version run exactly the same through "Dark Side of the Rainbow" as far as timing goes. However, you'll probably have to experiment a little bit to get it just right. Theoretically you could then just tape this version using a two VCR set up after getting the timing down.

The best test to see if you've got the 1st pause correct is if the first and last rounds of the phrase round and round and round in "Us & Them" hit exactly on the two turns of Dorothy’s ruby slippers (see last part of Deeper Stuff for more on these slippers). There are also numerous other, more minor matches that work better in the songs "Money" and "Us & Them" using this 1st pause. Until further notice, the best test for the 2nd pause I have devised is Dorothy and the Scarecrow simultaneously pointing to Oz when the word moon is sung in the phrase dark side of the moon in "Brain Damage" (this is the first of two times the album's title appears in its lyrics). Using this 2nd pause appears to make the ending Tinman scenes quite a bit more entertaining ... for example, amplifying the climactic conjunction of the Tinman’s hollow chest being filled by Dark Side of the Moon's ending heartbeat, as well as making him subsequently seem to whisper the final cryptic sentences of the album  to Dorothy ("There is no dark side of the moon really. Matter of fact it's all dark.").


What about these long lists of internal "Dark Side of Oz" matches I’ve seen at various sites?

As mentioned above, I've now created my own list of "Dark Side of the Rainbow" matches, arranged by individual Dark Side of the Moon songs.  If you're really into the synchronicity, I'd advise you to compare this list with Shawn Hare’s The Definitive List, buffeted by numerous contributions from his "Dark Side of the Rainbow" pals around the Internet.


What related sources are there on the web?

There use to be quite a few, but present offerings can basically be summarized in the couple of links provided at the top of my Synch Links page.
 
 
 

The Ultimate Pink Floyd Synchronicities

 

Small Tornado

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